Ayan Biswas
Pathshala South Asian Media Institute, Dhaka, Bangladesh
Fear has been a dominant theme in a lot of Bengali folklore. It reveals the identity and culture of a changing society with all its hidden agonies. This work has been inspired by a Bohurupi artist from rural Bengal who embodies imaginary characters for a living. He introduced me to this world of spirits often found residing in abandoned spaces. They are victims of malnutrition, poverty and other malices that pushed them to the fringes. I was touched by these tales that alchemise the fear of the unknown into familial elements of everyday life laced with humour. As time passed, these oral traditions became a way of connecting the mariginalized communities to the rest of society. Yet, the social status of these artists remains precarious. Now they are faced with a renewed identity of this art form in the age of digital entertainment.










Ayan Biswas
Pathshala South Asian Media Institute, Dhaka, Bangladesh










Fear has been a dominant theme in a lot of Bengali folklore. It reveals the identity and culture of a changing society with all its hidden agonies. This work has been inspired by a Bohurupi artist from rural Bengal who embodies imaginary characters for a living. He introduced me to this world of spirits often found residing in abandoned spaces. They are victims of malnutrition, poverty and other malices that pushed them to the fringes. I was touched by these tales that alchemise the fear of the unknown into familial elements of everyday life laced with humour. As time passed, these oral traditions became a way of connecting the mariginalized communities to the rest of society. Yet, the social status of these artists remains precarious. Now they are faced with a renewed identity of this art form in the age of digital entertainment.
BLURRING THE LINES
FOSTERING TALENT AND NETWORKING IN VISUAL CULTURE
Program Leader
Partners



BLURRING THE LINES
FOSTERING TALENT AND NETWORKING IN VISUAL CULTURE
Program Leader

Partners


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